Here’s the crop of self-portraits from the last week:

January 16th:

A frustrating start to the week – a small oil study that I had to abandon. I took a rag to the wet surface in the hope of resurrecting it at some point.

January 17th:

I returned to pencil & cartridge paper, looking at the shots I took of this showed me I need to watch my shading – I did some corrections before uploading the day’s final image.

January 18th:

Light blue letraset marker on watercolour paper, stood very close to the mirror.

January 19th:

Heavily sleep deprived in this one, so no smiles. Enjoyed the differences made by holding my head – fold’s around the eyes and more interesting shadows.

January 20th:

A quick follow up of the same themes on the next night – having had some sleep. Again some tonal adjustments made with an eraser before finalising.

January 21st:

A total departure – animal transformation for a start, and my first linocut print in more years than I care to recall.

Linocut is very rewarding – the design was drawn up in a sketchbook and applied in pencil then ink, but was being adapted during the cutting process. Cutting took about an hour to complete. I had hoped printing would have been more successful, so I’ll be working on the home pressing techniques.

January 222nd:

After last night’s lino print, I’d tried to get a monoprint from the remaining ink on the glass but was unsucessful. I rolled the ink evenly again and left it to dry so that today I could scratch into it directly and then backlight it, here’s the result of some swift scratching.

media

I’ve thought alot about media this week – particularly grounds and supports – with an anything-goes mindset.

I’ve tried painting on a (spare, unused) smoke alarm (pencil works well, but using an eraser was surprisingly problematic given the plastic surface) and I’m now considering what can be achieved with other materials as either a support or a sculptural / relief material.

Expect noodles.

How it’s going

I’ve been tempted this week to adapt (at best) or abandon the whole project – mainly because it’s already provided me with the intended results – I’m working creatively, regularly and in range of media.

I now have a list of painting, printing and other works I want to begin, so producing a daily portrait can seem like a burden.

Perhaps ‘one self-portrait a fortnight’ will be the way to go? For now I’m going to persevere. I’ve proved I can make the time so I’ll try to get some longer-term projects running in parallel.