Only 344 days to go

Here’s the crop of self-portraits from the last week:

January 16th:

A frustrating start to the week – a small oil study that I had to abandon. I took a rag to the wet surface in the hope of resurrecting it at some point.

January 17th:

I returned to pencil & cartridge paper, looking at the shots I took of this showed me I need to watch my shading – I did some corrections before uploading the day’s final image.

January 18th:

Light blue letraset marker on watercolour paper, stood very close to the mirror.

January 19th:

Heavily sleep deprived in this one, so no smiles. Enjoyed the differences made by holding my head – fold’s around the eyes and more interesting shadows.

January 20th:

A quick follow up of the same themes on the next night – having had some sleep. Again some tonal adjustments made with an eraser before finalising.

January 21st:

A total departure – animal transformation for a start, and my first linocut print in more years than I care to recall.

Linocut is very rewarding – the design was drawn up in a sketchbook and applied in pencil then ink, but was being adapted during the cutting process. Cutting took about an hour to complete. I had hoped printing would have been more successful, so I’ll be working on the home pressing techniques.

January 222nd:

After last night’s lino print, I’d tried to get a monoprint from the remaining ink on the glass but was unsucessful. I rolled the ink evenly again and left it to dry so that today I could scratch into it directly and then backlight it, here’s the result of some swift scratching.

media

I’ve thought alot about media this week – particularly grounds and supports – with an anything-goes mindset.

I’ve tried painting on a (spare, unused) smoke alarm (pencil works well, but using an eraser was surprisingly problematic given the plastic surface) and I’m now considering what can be achieved with other materials as either a support or a sculptural / relief material.

Expect noodles.

How it’s going

I’ve been tempted this week to adapt (at best) or abandon the whole project – mainly because it’s already provided me with the intended results – I’m working creatively, regularly and in range of media.

I now have a list of painting, printing and other works I want to begin, so producing a daily portrait can seem like a burden.

Perhaps ‘one self-portrait a fortnight’ will be the way to go? For now I’m going to persevere. I’ve proved I can make the time so I’ll try to get some longer-term projects running in parallel.

One Self-Portrait a day

At 6am on January the first, I sketched a self-portrait:

…it's too early for this!

…and thought that might be a fun, creative, enlightening, educative and perhaps exasperating thing to do every day.

Every day of 2012 I’ll execute a self-portrait, and share it using Twitter the same day. Sharing them provides an impetus to complete each day’s portrait, and gives me the determination to work on my methods and my approach.

An audience (even a theoretical one) gives me a reason to improve. The risk is that you end up sharing 365 crap images of yourself with the world, the pay-off is that every day you add to your experience, your conceptual and technical capabilities, and your satisfaction with your work.

Week one’s self-portraits

The output so far has been representational, brief and sketchy, possibly no surprise at the outset. Representationally, they’re not up to much. I am capable of better, but this is a journey.

Time

The greatest constraint so far has been time. Time to conceive an approach to a portrait as well as time to execute it. Thus the first week’s output has been low concept, and quickly executed. I’ve tried to vary media a little during the week but each has been a very direct method.

Not having the time to work on drawing and painting is the best reason I can think of to continue this project, regardless of the work produced.

Concept

Telling yourself you have to do this, every day, is at once a burden and a joy. Until you place constraints on what you do, you don’t realise the clarity of thought you can attain within those limits.

I have many plans for where this project will take me, my thought processes and my experience with various media. My immediate aims are to work in paint and some form of printing as soon as I can, but working with traditional media will just be one part of the project.

Every week or so, I’ll add a post here on recent works and where I think they’re heading, and more importantly where they’re taking me.